Long Reads

It’s time we stop outsourcing our advocacy to Black celebrities

Many Black people in the Western hemisphere find themselves situated at the bottom of the racial totem pole. On issues such as health inequality, employment, criminal justice, and housing, most Black people have come out with the short end of the stick. In contrast, Black celebrities have been able to buck the trend.

Black celebrities living in the West come in different forms, from a range of professions–entertainers, social media influencers, athletes and politicians. They have excelled in their field of endeavour, which has endeared them to millions of people on both sides of the colour line. The Black celebrities have morphed into the most visible manifestation of Blackness in the Western Hemisphere. Celebrities like Oprah Winfrey, Kanye West, Whoopi Goldberg, Cardi B, Jay Z, Will Smith, Michael Jordan, Lewis Hamilton, Sir Lenny Henry are among the most famous people on the planet.

Black celebrities often find themselves straddling between the Western power structure and the Black masses. The Western White power structure made up of the political and corporate elite sometimes relies on Black celebrities to reach the Black masses. On the other aisle of expectation, the Black masses rely on Black stars to use their fame and finances to fight their cause. Therefore, it should be no surprise that the Black celebrity has in recent years emerged as the unofficial spokesperson for the Black race in the West. 

“the Black celebrity has in recent years emerged as the unofficial spokesperson for the Black race in the West”

One year after George Floyd’s lynching in America, Black celebrities have been at the vanguard of narrating the racial horrors of the Black masses. In February 2021, Will Smith presented a documentary on Netflix titled Amend: The Fight for America, which examined the fight for equal rights in America through the lens of the 14th Amendment of the US Constitution. Leigh-Anne Pinnock, a member of British pop group Little Mix, presented a documentary on BBC titled Race, Pop & Power, which explored racism across the music industry and Pinnock’s own experiences as the only Black member of the band. They have also opened up their purse for Black causes. John Legend and Chrissy Teigen donated $100,000 to bail out protesters across the USA in response to the George Floyd protest. In the build-up to the 2020 US Presidential election, Ice Cube worked with Donald Trump’s campaign to develop their “Platinum Plan” for Black America while Rapper Cardi B interviewed Joe Biden and discussed a range of topics, including race relations, healthcare, and the coronavirus pandemic.

Some may argue that Western Black celebrities make effective spokesmen and women for the Black race because of their influence and fame. Black celebrities in sports, entertainment, and media accounted for a third of The Root’s 2020 Most Influential African American list. In 2021, Lewis Hamilton, the seven-time Formula One champion, was selected as the Powerlist most influential person of African or African Caribbean heritage in the United Kingdom. Stormzy, the British hip hop artist, was the third most influential Black person in the UK. Of the seven Black billionaires in the USA, 5 are celebrities: Tyler Perry, Kanye West, Michael Jordan, Oprah Winfrey, and Jay Z. 

Are Black celebrities appropriate representatives of the Black masses given their acceptance by the Western power structure? When one looks at other races, one will discover that celebrities do not act as spokespeople. For instance, neither David Beckham, Angelina Jolie, or George Clooney speak on behalf of the White race. Neither will Jackie Chan or Yoon Mi-rae be expected to present TV programs to discuss the state of affairs of Chinese or Korean people in the Diaspora. The reverse is the case when it comes to the Black race. When Obama was elected US President, the BBC called upon Dizzee Rascal, a London-based artist, to discuss the consequences of his historic victory. Malcolm X identified this trend when he said:

“Show me in the White community where a comedian is a White leader. Show me in the White community where a singer is a White leader, or a dancer or a trumpet player is a White leader. These aren’t leaders, these are puppets and clowns that have been set up over the White community… or over the Black community by the White community”

Malcolm X

Oct. 11, 1963, interview at the University of California, Berkeley

Black celebrities are a crucial component of the celebrity-industrial complex, which hinders them from effectively representing the interests of the Black masses. They serve a useful purpose in the Western capitalist system by helping corporates reach a Black audience. In describing the role of celebrities in society, Chris Hedges, the American Pulitzer Prize-winning journalist, notes that “Celebrity is the vehicle used by a corporate society to sell us these branded commodities, most of which we do not need. Celebrities humanize commercial commodities. They present the familiar and comforting face of the corporate state.” There is a tripartite relationship involving corporates, Black celebrities and the Black masses. The Black masses sit at the bottom of the pyramid, while the Black celebrity sits between the Black masses and the corporations. The Black celebrity plays the role of attention merchant. Harvesting the attention of the Black consumer and handing it over to the corporate body, in exchange for an endorsement deal that could run into millions of dollars. The Black celebrity is like a product placement used by the manufacturer to get a target audience (Black masses) to depart with their money. To put it briefly, Black celebrities have commodified the Black masses for a captive corporate audience. Social media is flooded with images of Black celebrities advertising wares such as Nike, Apple, Calvin Klein, Capital One, Mercedes-Benz, Coca-Cola, Louis Vuitton, Under Armour, etc. All on behalf of their corporate paymasters. 

According to Morning Consult, Black consumers are more likely than the public to look to celebrities when buying. 50% of Black consumers said they trust celebrities and athletes to give them good advice on brands, while 44% said the same about influencers. Black celebrities serve as an inverted Robin Hood whereby they indirectly take money from the Black masses, hand it over to the corporation, and get a handsome reward in return.

“To put it briefly, Black celebrities have commodified the Black masses for a captive corporate audience”

Black thinkers have discussed the connection between racism and capitalism. Historically, racism was used to justify slavery and colonialism, which made the West an economic superpower. Malcolm X once said, “You can’t have capitalism without racism,” while Ibram X Kendi, the American writer, describes racism and capitalism as conjoined twins. Angela Davis argues that racism is intrinsic to capitalist social relations. It will be a futile exercise for Black celebrities to take the lead in tackling racism while yielding themselves as tools to the Western capitalist power structure. To paraphrase Audre Lorde, you can’t use the master’s tools of capitalism and attention harvesting to dismantle the master’s house of racism and economic injustice. 

Corporate organizations, which previously refrained from expressing an opinion on racial justice issues, have now realized that brand activism could enhance shareholders’ value. When Nike used Colin Kaepernick in an advertising campaign, its online sales grew by 31% in the bank holiday weekend after the launch! In the aftermath of George Floyd’s death, purveyors of capitalism such as Goldman Sachs and JP Morgan have committed billions of dollars to advance racial equality. It is now trendy to “Talk Black”, so it should be no surprise that Black celebrities have become more vocal on racial justice as it now comes with limited downside. Black celebrities who were more bothered about their N-scores and Q-rating had to wait for the tide of opinion to turn on social justice issues before finding their voices. To paraphrase Malcolm X, they march when their corporate paymaster says march, they protest when their corporate paymaster says protest, and they bark when their corporate paymaster says bark.

The recent racial awakening of the Black celebrity bears a lot of similarities with the racial awakening of the Black executive in the West. Before May 2020, senior Black executives working in some of the most prestigious organizations in the West were silent on racism within and outside of the workplace. Like the Black celebrities who prioritized their brand endorsement over speaking out, the Black executives chose the path of least resistance by putting their careers over the cause. Like the Black celebrity, the Black executive does not want to offend the “boss.” Now that their corporate overlord has permitted them to talk about racial injustice, we are now inundated with Black executives writing blogs and articles, doing interviews, and speaking at town halls about racial injustice. Like Black celebrities, they focus on the symptom of racism while failing to address the role of capitalism in exacerbating this social evil. Some are also capitalizing on the current shift in sentiment toward racial justice to position themselves as the token Black face in the corporate plantation. Like the incestuous relationship between Black celebrities and corporations, there is an incestuous relationship between the Black executive and the corporates where the Black executive can advance their career. At the same time, the business organization can showcase the token Black executive as evidence of the great stride the company is making in terms of equity, diversity, and inclusion.

“Besides prostituting themselves with the corporate elite, Black celebrities sometimes find themselves joined at the hip with the political elite”

Besides prostituting themselves with the corporate elite, Black celebrities sometimes find themselves joined at the hip with the political elite. In normal climes, the political class has turned its back on the Black masses, but it can rely on Black celebrities to get the Black voters to the poll during election time. In America, Black celebrities have played a prominent role in endorsing, campaigning, and fundraising for politicians. During Barack Obama’s term as US President, Black celebrities were regular visitors to the White House. Common, the US artist visited the White House five times, including during the President’s 55th birthday and the Nordic State Dinner, while John Legend was there on four different occasions. There is nothing wrong with celebrities expressing support for politicians, visiting politicians, or fundraising for them at face value. However, there is something wrong when the political elites use Black celebrities to solicit Black votes. Yet, these influencers fail to speak truth to power when the politicians fail to deliver on their promises or when their policies are unjust. For instance, while the Black celebrities were more than willing to hobnob with President Obama, they had nothing to say about his drone policies, which resulted in the death of hundreds of Brown and Black civilians in Africa and the Middle East.

Another reason why modern-day Black celebrities might not make effective spokespeople for Blacks in the West is that they don’t have the same shared experience as the Black masses. In the past, Black celebrities caught the same hell as the Black masses. They lived in the same neighborhood as the masses and were easily accessible. However, the 21st-century Black celebrity often lives in a White-populated gated community out of reach and out of touch from the Black masses. Furthermore, Black celebrities in the West often fail to be bothered with the sufferings of their kith and kin in the poorest parts of the world unless it’s trending on social media. During the #EndSARS and #BringBackOurGirls campaign, Western Black celebrities posted pictures of themselves with the hashtag on social media to their followers.

The attitudes of the Black celebrities are not lost on some Blacks. In 2015, the hashtag #BlackCelebsBeLike was trending on social media in response to Black celebrities selling out the Black masses for riches wealth. Zellie Imani, one of the originators of the hashtag, explained the purpose of the hashtag to the BBC, “The goal really was to challenge the pedestal we sometimes put celebrities on and not allow media to use them as spokespersons for Black people.”

“While they should speak out and use their influence to help, they should not be in the vanguard position because they have too much stake in the current oppressive system that perpetuates racial injustice”

From the above, it is clear that Black celebrities cannot be relied upon to be effective spokespeople for the Black masses in the West. We are in serious trouble if our leading spokespeople are the pseudo jesters for the White power structure. My critics may argue that Black celebrities can raise awareness about the Black racial experience in the West, and their political connections can bring about long-lasting change. This argument is noted; however, my point is not that the Black celebrity industrial complex should remain silent amid racial and other forms of oppression. While they should speak out and use their influence to help, they should not be in the vanguard position because they have too much stake in the current oppressive system that perpetuates racial injustice. They could quickly turn their backs on the Black masses if say in the future, “talking Black” is no longer fashionable, dangerous to their brand, or if their corporate paymasters experience racial justice fatigue.

Colin Kaepernick has more support now, still long way to go | WVNS

Today’s Black celebrities would have to extricate themselves from the shackles of their corporate paymasters for them to be effective in the struggle. They should be prepared to lose all by putting conscience and conviction before endorsement. They must be ready to risk it all like Mohammad Ali, “No, I’m not going 10,000 miles from home to help murder and burn another poor nation simply to continue the domination of White slave masters of the darker people the world over.” They must be prepared to risk it all like Paul Robeson, “The artist must elect to fight for freedom or slavery. I have made my choice. I had no alternative.” They must be prepared to risk it all like Naomi Osaka, “I think now the best thing for the tournament, the other players and my well-being is that I withdraw.” They must be prepared to risk it all like Colin Kaepernick, “I am not going to stand up to show pride in a flag for a country that oppresses Black people and people of color.”

Historically, social movements have been more productive when they are mass movements rather than celebrity-led. A celebrity-led movement faces the risk of unraveling should the Western power structure threaten celebrities with loss of future income. The Black masses should place less reliance on the Black influencer and only use them in a supporting capacity if necessary.

Selah.

Ahmed Sule is a CFA Charterholder, photojournalist, and social critic, suleaos@gmail.com.

3 comments

  1. Hi Ahmed having read your article I believe you make many valid points about the social, political and corporate influence of black celebrities. I myself have thought especially in the UK that our own black celebrities are part of the middle classes and as such that disconnected from the everyday lives of black people. Which then means they don’t necessarily know of our experiences or have a connection to it. It was refreshing to read an article that raised points that the mainstream media are not. Well done and keep writing.

  2. Really enjoyed reading this Ahmed and largely agree – it does however, leave some questions begging which I’d be fascinated to read your take on if you’re minded to write more about it.

    a) Where do we source our advocacy from?
    How many of us are regularly contributing to the organisations that are equipped to organise responses to government consultations, monitoring progress, or building consensus? Currently they are a rare breed of organisation, largely funded by charitable foundations and largely under-resourced. If ‘he who pays the piper call the tune’, how do we currently, and in the future, ensure that these advocates are representative of (or at least responsive to) the needs of Black people?

    b) How do we resist the rise of the ‘influencer’?
    I’m less concerned about celebrity – it was ever thus, than I am about the use and abuse of the ‘social influencer’. Those who, borrowing a commercial sales model, seek to gain influence (measured in online clicks) in order to package it and sell it to the highest bidder. The Simpsons lampoon Troy McClure ‘infomercials'(You may know me from . . .), but this appears to be the model for influencing politics – the upsell rules, and it feels ubiquitous. What is the alternative, in your opinion? I’ve watched many among out talented youth, seek to build clout through clowning and then pivot to address more social justice issues – is this a replacement for specialising in building connections and knowledge that might build movements for change? Are we consequently building our movements on sand?

    c) Are there examples of engagement with celebrity that could be positive?
    Kapaernick and Rashford strike me as operating at a different level because they are being advised well and are connected to movements for change. Lenny Henry, after nearly a decade of behaving as if a bit of stardust was the only ingredient missing from half a century of struggle for access to equity in mass media, has usefully spun his celebrity into creating a unit at Birmingham University that has the potential (once it has recovered from its opening obsession with diversity, ‘change that brings no change’ – A. Davis) to add significantly to marshalling the necessary action that will lead to improved outcomes for Black people in the media industries. Dave at the Brits in 2020 caught the zeitgeist and spoke out in a manner that generated hope – but there seemed like no organisations were ready to weave that hope into useful cloth (I’m clearly attempting to achieve a record for mixed metaphors here – but hopefully you get what I mean) – which I guess leads me back to (a).

    I continue to enjoy your writing – hope these comments/questions are useful ones

    Rob

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